Drawn in Kael's Hand
The Art
This was never going to be a glossy fantasy art book. It is an investigator's notebook. Every image in it is a silverpoint study — the slow, unforgiving medium da Vinci worked in, where there is no eraser and every line is a decision you have to live with — laid down on parchment, as if drawn by the hand of the man keeping the record.
So the rule was studies, not scenes. The notebook does not draw splash-page action. It draws things, the way you document evidence: the ship, the relic, the place, the face. Each one held still and looked at. For a book about a man who spent his life filing the world, that restraint felt truer than spectacle.
And it had to stay honest to the world. Each plate began as a canonical reference and was converted, faithfully, into the silverpoint register — never inventing a prettier version, only rendering what the record already knew. What follows is the whole of it.
The Crew







The Worlds













Relics & Objects








What Waits Below







